Twenty Nineteen

A lot of writers spent 2019 trying to figure out what it makes sense to say  – what needs to be said, and what’s just noise. I thought about that stuff fair bit last year. At the same time, I found myself appointed co-manager of a wonderful, intensive project: the parenting of a 6 month old child. And then there was the matter of earning a living. For parts of the year, writing didn’t get much of a look-in.

What I wrote

Produced in 2019

Output in 2019 was low by my standards. That 1 manuscript is a bit of a fudge – what I really did was to pull together a substantially revised short story collection, and write half of a first draft of a novel. I’m rounding that effort up to 1 full-length work, & I will not be taking questions at this time.

More often than not, I felt anxious about how little I was writing. And, of course, that was counter-productive, because it made me feel stressed when I did find time to sit down at the keyboard.

On the other hand, 3 of the short stories that I wrote came sizzling out of my brain. They were a joy to transcribe, and after subsequent rounds of edits, I’m really satisfied with how they’ve turned out. So I take some comfort in the idea that the capacity is still there, even if quantity has declined.

Outcomes

Outcomes by month 2019

Up until the end of June (leaving aside a semi-bitter rant I penned for the Meanjin blog), I didn’t have a single acceptance to my name. It was beginning to look like 2019 would be an annus horribilus (which I believe is Latin for horrible anus) of a year. It was only from July that I got some momentum.

2019 Outcomes

Of 30 submissions last year, I received 7 acceptances. I am happy with that strike rate! I also got published by some journals I admire and love to read, like Griffith Review, Overland and Southerly (hash tag CareerGoals). Because of the speed with which publishing moves, most of the things I had published last year were based on acceptances received in 2018. Similarly, a few pieces that were accepted last year will likely see the light of day in the first half of 2020. You can bet I’ll be self-promoting the sh-it out of those when the time comes! 🙂

A shout-out to Westerly, who followed up a rejection that with some insightful feedback that I’ve used to improve one of my stories. Providing that kind of guidance is way above and beyond the call of duty for a resource-constrained, volunteer-dependent Australian lit journal. But when it occurs, it’s hugely appreciated.

In 2019, I earned about $1,200 from writing, made up of publication fees and workshop fees. This is down by about 2/3 from 2018, because it did not include any sweet, sweet grant money.

Year by year

This is the third time I’ve done a year-in-review post, which means I have 3 years of data points, and can make this:

3 Years

Speaks for itself, really – submissions and rejections (and hence writing admin workload) reduced in 2019, but acceptances have held up OK!

Reading

Last year I decided to keep a longer work and a short story collection on the go at all times. Highly, highly recommended as a way of reading. Highlights were Claire G Coleman’s Terra Nullius, Nic Low’s Arms Race, and Josephine Rowe’s Here Until August.

Individual stories that have stayed with me: Alex Cothren’s ‘Let’s Talk Trojan Bee‘ in the Spring 2019 issue of Meanjin; and Ben Walter’s ‘Atlantis Minor‘, also from Meanjin (Winter 2019).

Looking ahead

Someone on twitter – it might have been Justine Hyde? – wrote that this year they’d be concentrating on reading books by IRL friends and online/twitter buddies. And I think that’s a great idea! For me, that will include works by Patrick Allington (Rise and Shine), Wayne Marshall (Shirl), Elizabeth Tan (Smart Ovens for Lonely People), Rose Hartley (Maggie’s Going Nowhere) – I’m sure I am forgetting some people here.

In 2019 I felt my share of frustrated, ugly, self-centred, graspy-type thoughts about writing, and success or the lack of it. But for right now, I’m feeling less pressure to get publication results, land a book deal, etc etc. I want to write things that I enjoy, that are right at the edge of what I’m capable of making. The other stuff will either come to pass, or not.

MRP Guest Blog – Class Differences

Margaret River Press has kindly offered to host me as a guest blogger during May. You can read my first post, about class differences in Australia, here.

In other exciting news, my short story ‘Pigface’ is now available as part of the (excellently named) ‘Pigface and Other Stories’ anthology, published by Margaret River Press. You can learn more and buy a copy here. The collection is edited by Ryan O’Neill, and features the finalists of the 2018 MRP Short Story Competition. I’m thrilled that my story has found such good company!