Andrew Roff is a writer based in Adelaide, Australia. He tweets at @roffwrites.
Handover, published in Overland – Speculative Future(s) Special Edition(2019).
Early Adopter, published in Griffith Review 64 – The New Disruptors (2019).
Marbles, published in Southerly 78.2 (2019).
A Quiet Call, published in Going Down Swinging Issue 39 – Pigeonholed (2018).
A House, Divided, published in Issue 33 of Verandah (2018).
Pigface, published in ‘Pigface & Other Stories’ edited by Ryan O’Neill (Margaret River Press, 2018).
Else/If, published in Issue 27 of Antithesis Journal (2017).
The Lost Hour, available in the ‘Time’ anthology (Spineless Wonders, 2017).
Relocation, published in Tulpa Magazine in November 2017.
No Vogel: We Are Not Worthy, published on the Meanjin blog, May 2019.
Walking the Death Road, published in Overland online, October 2018.
Art in a Basic Income Utopia, published in Overland online, January 2018.
Presenting and Appearances
Writing and Submitting Short Stories, a workshop presented at the Campbelltown Library, March 2019.
In June 2018, Andrew appeared at the Margaret River Readers & Writers Festival.
Politics and Persuasion in Creative Writing, a workshop presented at Writers SA, May 2018.
Andrew is the winner of the 2018 Margaret River Press Short Story Competition for his story Pigface.
His story The Last Day of Christmas was shortlisted for the 2018 Wollongong Writers Festival Short Story Prize.
His story Shelter was shortlisted for the 2018 Literary Nillumbik Alan Marshall Short Story Award.
In June 2018 he was awarded an Arts SA Project Grant to work on his next novel.
In March 2018, he undertook a residential fellowship at Varuna House to work on a themed short story collection.
Andrew’s microfiction story The Lost Hour was a finalist in the 2017 Newcastle Writers Festival joanne burns Microlit Award
Andrew’s first novel-length manuscript, Infringement, was shortlisted for the Wakefield Press Unpublished Manuscript Award at the 2016 Adelaide Festival Awards for Literature.